The conclusion to the epic two-part WW2 biographical drama, based on Julian Jackson's book A Certain Idea of France: The Life of Charles De Gaulle.

France collapses and signs the armistice. In the midst of the chaos, one man refuses to give up. Alone against the odds, this unknown general flees to London to save what remains of freedom.

Without an army, without backing, without hope. But with one irrational conviction – France, his France, has not laid down arms. Taking the ultimate gamble, he seeks to convince the world that the battle for France is neither over, nor lost.

Two of opera’s most extraordinary artists return to The Met: Live in HD for Verdi’s thrilling take on the immortal Shakespearean tale of the scheming couple determined to seize power at any cost.

Following past triumphs in many of Verdi’s signature baritone roles, Quinn Kelsey is the Scottish king haunted by the ghosts of his murderous ascent to the throne, opposite Lise Davidsen—the world’s reigning dramatic soprano—as the power-mad Lady Macbeth, whose ruinous ambition damns them both.

Met Music Director Yannick Nézet-Séguin takes the podium for a penetrating production by Louisa Proske, a brilliant young director making waves around the world. Rounding out the all-star cast are tenor Freddie De Tommaso as the heroic Macduff and bass-baritone Ryan Speedo Green as Macbeth’s friend-turned-victim Banquo.

This production is part of the Met’s award-winning Live in HD series, bringing opera to cinemas across the globe.

Sung in Italian with English subtitles, includes one interval.

In 1953, Tenzing Norgay, alongside New Zealand mountaineer Edmund Hillary, both outsiders on a British Expedition, defied insurmountable odds to achieve what was once thought impossible, reaching the summit of the world’s tallest mountain, Mount Everest.

After six previous attempts, Tenzing risked everything for one final venture. He had to navigate treacherous politics and perilous weather as he embarked on the most significant climb of his life. Through it all, he did so with humor, warmth, and generosity towards his fellow climbers, but also deep reverence and respect for the sacred Mother Goddess of his mountain, Jomolungma.