Colour-blind artist Neil Harbisson is the world’s first formally-recognised cyborg. He has an antenna implanted in his head that allows him to ‘hear’ colour. Now Neil is on a mission to convince the world to follow him and adopt his credo: Design Yourself.

Neil’s childhood friend Moon Ribas has collaborated with him on his journey. A dancer and choreographer, she has had implants in her arm and foot which allow her to perceive earthquakes from all over the planet as vibrations in her body.

In Carey Born’s engaging documentary Neil and Moon confront their detractors head-on, communicating their controversial ideas about the technological future of humankind.

Our 16-25 members can claim a £3 ticket for Cyborg by simply booking using their membership.

Matthew Bourne’s magical dance production of Edward Scissorhands has carved a place in the hearts of audiences worldwide since its premiere in 2005. Based on the classic Tim Burton movie and featuring the hauntingly beautiful music of Danny Elfman and Terry Davies, Bourne and his New Adventures Company return to this witty, bittersweet story of an incomplete boy left alone in a strange new world.

Filmed live in March 2024 at the Wales Millenium Centre, Cardiff, this ‘visually arresting and ceaselessly inventive’ (★★★★★ Metro) production is ‘the perfect treat for all the family’ (★★★★★ The Times).

In a castle high on a hill lives Edward; a boy created by an eccentric inventor. When his creator dies he is left alone and unfinished with only scissors for hands until a kindly townswoman invites him to live with her suburban family. Can Edward find his place in the well-meaning community which struggles to see past his curious appearance to the innocence and gentleness within?

Henry VIII had six wives. One survived.

Katherine Parr, the sixth wife of King Henry VIII, is named regent while the tyrant battles abroad. When the king returns, increasingly ill and paranoid, Katherine finds herself fighting for her own survival.

“Incendiary... Jude Law is scarily good...a vividly constructed drama, expertly played.”

- The Times